Singeetham Srinivasa Rao and Krishna Vamsi are faced with a huge challenge. The former, a veteran director, is making a socio-fantasy for an audience he hasn’t had ‘touch’ with (barring Mumbai Express) for more than two decades. The latter, a maverick director, is making a graphics-prominent film, a first in his career spanning more than two decades. (Gulabi was released in 1995).Aditya 999 is about Balakrishna’s gamble with a rarely explored, often risky genre. Rudraksha is about Krishna Vamsi’s gamble with something he hasn’t tried, barring his flirtation with rarefied elements like devotional theme (Murari and Sri Anjaneyam).
331 total views, 3 views today